40/18
A generational story about families and the special place they inhabit, about love, loss, laughter and sharing life… Based on the comic book "Here" by Richard McGuire. It first appeared as a strip in the comic book magazine "Raw" in 1989 and then expanded into a 300-page comic book in 2014. At one point in the film, Richard’s father names several towns that he says are along the Pennsylvania Turnpike, when in fact they are all towns along Interstate 80 in PA, which had not yet been built.. [from the trailer] Richard: You know, if you like, you could spend the rest of the night here.Margaret: I could spend the rest of my life here.. Features They Stooge to Conga (1943). Concerto for Clarinet, Pts. 1 and 2. Written by Artie Shaw. Performed by Artie Shaw and his band, courtesy of RCA Records under an arrangement with Sony Music Entertainment. Man, whatever happened to Robert Zemeckis. In the past, Zemeckis has created classics like "Forrest Gump, Back to the Future Trilogy, Who Framed Roger Rabbit, The Polar Express" and many other great works that I grew up with. However, after The Walk, his works have been disappointing and disappointing to say the least. This film has a really ambitious and intriguing concept, but unfortunately, despite some solid and interesting moments, Zemeckis fails to properly experiment with the concept and ends up being tedious and underwhelming. The camera stays in one place and the narrative feels ambitious and creative. With themes that could be interesting and innovative to explore, but Zemeckis' The direction and lack of emotional depth in the film ruins what could have been a good film. Filled with bloated plotlines, an unbalanced structure, and characters that aren’t fully fleshed out, the emotional weight and engagement becomes more of a snooze fest. It’s almost as if Zemeckis had seen The Tree of Life but somehow didn’t understand what made The Tree of Life great and what made it more mediocre and boring. Given some rough dialogue and scheduling issues. The production designs and camerawork are very good, and the use of CGI for the face swap is pretty solid with the colors and movement. All the performances are good because it’s good to see Tom Hanks and Robin Wright together again, as their chemistry and scenes are good. But it didn’t work because of the sloppy and ham-fisted approach that really doesn’t do it justice. Robert Zemeckis remains one of my favorite directors. I grew up with him, but unfortunately his best years are long but sorely missed. From Alien: Romulus to Road House, look back at some of our favorite posters from 2024.
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